A young journalist is inspired to use strong words by an 'angry sea'
Picture: close-up of original print "Dark Water Clash".
One of Lynne's powerful seascape prints shapes a student paper journalists perceptions of the whole print collection – she writes: "Roebuck specialises in limited edition original prints, which consistently suggest a crashing anger and turbulence reflected in the human condition." (own emphasis).
When making art, Lynne is primarily concerned with capturing the character of a location and nature's exhilarating, 'good-to-be-alive' energy can sometimes be a strong aspect of this.
Conner, L (2010), "Lynne Roebuck on the commercialisation of fine art" (online) Nouse York University's Student Website. Accessed from: http://www.nouse.co.uk/2010/05/04/lynne-roebuck-on-the-commercialisation-of-fine-art/ [Accessed: 6 May 2010]
Picture: close-up of original print "Dark Water Clash".One of Lynne's powerful seascape prints shapes a student paper journalists perceptions of the whole print collection – she writes: "Roebuck specialises in limited edition original prints, which consistently suggest a crashing anger and turbulence reflected in the human condition." (own emphasis).
When making art, Lynne is primarily concerned with capturing the character of a location and nature's exhilarating, 'good-to-be-alive' energy can sometimes be a strong aspect of this.
Conner, L (2010), "Lynne Roebuck on the commercialisation of fine art" (online) Nouse York University's Student Website. Accessed from: http://www.nouse.co.uk/2010/05/04/lynne-roebuck-on-the-commercialisation-of-fine-art/ [Accessed: 6 May 2010]